铜香炉艺术是在先秦铜香炉在商代后期和西周前期达到繁盛，出现大批制作精美、系列不同的铜香炉。铜香炉的造型庄重典雅，体现出实用性与艺术性的完美结合。铜香炉纹饰富于时代特征，主要有兽面纹，凤鸟纹等想象中的动物形象。

The art of copper incense burner was flourishing in the late Shang Dynasty and the early Western Zhou Dynasty. The shape of the copper incense burner is solemn and elegant, reflecting the perfect combination of practicality and artistry. The ornamentation of copper incense burner is characteristic of the times. It mainly includes animal figures, Phoenix bird patterns and other imaginary animal images.

商代铜香炉具有酒器多、铭文短、造型凝重结实、纹饰繁密雄奇的特征。西周铜香炉延续商代风格，食器增多，铭文加长，中后期的造型与纹饰开始趋于简率，出现了朴实舒畅的明朗风格。

The Shang Dynasty copper incense burner has many features, such as many wine vessels, short inscriptions, heavy and solid patterns, and dense and magnificent patterns. The Western Zhou Dynasty copper incense stove continued the Shang Dynasty style, the food device increased, the inscription was lengthened, the modeling and ornamentation in the middle and late stages began to be simple, and the simple and smooth style appeared.

春秋铜香炉适应社会的需要，出现了模印、失蜡等新工艺，形成了形制奇巧富丽、纹饰繁密剔透的特征。战国铜香炉以日用品为主，具有富丽堂皇、光彩夺目的风格。

In the spring and Autumn period, the copper incense burner adapted to the needs of society. New processes such as mould printing and wax loss appeared, forming the characteristics of exquisite shape, richly decorated and dense patterns. The copper incense burner of the Warring States period is dominated by daily necessities, with a magnificent and dazzling style.

铜香炉的造型理念，为现代工业产品的造型理念的形成奠定了一定的基础。铜香炉在通过基本几何元素整合构建形体，运用象生手法构形，处理形体的虚实空间三个主要方面，影响现代工业产品形态设计理念的形成。

The modeling concept of copper incense burner has laid a solid foundation for the formation of modern industrial products. The formation of the concept of modern industrial product form design is influenced by the three main aspects of the formation of the copper incense furnace by integrating the basic geometric elements, using the physique form and dealing with the virtual space of the form.